News & Media

August 19, 2026, 04:07 AM

What happens when reality and fiction deliberately blur? BRO-JECT W is an Austrian multidisciplinary art project connecting literature, psychology, music and society while challenging audiences to question what they believe they see.

BRO-JECT W began as an unconventional creative concept—perhaps a game, a mirror or an experiment in perception. Over time, it developed into something more complex, bringing together different cultural and intellectual influences within a single project.

Rather than presenting a straightforward narrative, BRO-JECT W deliberately creates uncertainty. Real experiences, fictional elements and different perspectives interact with one another, encouraging audiences to question what they are seeing and how they interpret it.

At the centre of the project is not a single answer, but a continuing question: where does reality end and interpretation begin?

The Third Eye has become one of the defining symbols of BRO-JECT W. It represents insight, intuition and the desire to look beyond what initially appears obvious.

Within the project, the symbol reflects a broader philosophy of awareness. Audiences are encouraged not simply to accept information, but to examine it, question it and consider what may exist beneath the surface.

The Third Eye therefore becomes more than an artistic image. It represents a different way of seeing—one that asks people to reconsider assumptions and remain open to alternative interpretations.

Closely connected to BRO-JECT W is Philipp Wurm, who documented many of the events, ideas and experiences surrounding the project in his book.

The work is deliberately positioned between reality and fiction. Some elements are based on real experiences, while others have been creatively developed or fictionalized. This intentional combination makes it difficult for readers to identify precisely where reality ends and the constructed story begins.

Wurm's professional background as a criminal defense lawyer also influences the book. Legal questions and elements inspired by courtroom proceedings intersect with psychological and social themes, adding another layer to the project's exploration of truth and interpretation.

The ambiguity at the heart of BRO-JECT W changes the role of the reader. Instead of simply receiving information, the audience becomes an observer who must decide what can be trusted.

Which details represent evidence? Which are interpretations? And what might exist only within the imagination?

These questions transform perception into part of the experience itself. Readers are encouraged to examine their own assumptions and recognize how easily interpretation can influence the way a story is understood.

BRO-JECT W does not attempt to provide simple answers. Its purpose is to leave questions behind.

BRO-JECT W extends far beyond literature and legal themes. Music and personal interests also play an important role in shaping the project's identity.

Influences from beatboxing, hip-hop and football meet broader social and political questions. The combination may appear unusual at first, but it reflects the project's refusal to remain within a single cultural category.

Literature, music, personal experience and social commentary become different ways of examining the same broader questions about identity, society and perception.

This multidisciplinary character is what makes BRO-JECT W difficult to define as simply a book or a conventional art project.

BRO-JECT W has gradually expanded beyond the book itself and begun appearing across different forms of media, including podcasts.

The book is represented in both European and American markets, extending the project's reach beyond its Austrian origins.

Its reception also reflects its deliberately ambiguous nature. For some audiences, BRO-JECT W can be understood as literature. For others, it resembles an art project, psychological exploration or unconventional reflection on truth and perception.

Perhaps the difficulty of describing it in a single sentence is precisely what makes the project compelling.

The combination of real experiences, fictional elements, legal themes, psychology, music and popular culture gives BRO-JECT W a distinctly cinematic quality.

A film or series could potentially become a natural next step for a project built around layered narratives, symbolism and unanswered questions. However, no official film or series adaptation has been announced at this stage.

For now, the possibility remains part of the project's open-ended character. Its narrative leaves enough space for audiences to imagine where BRO-JECT W could go next.

BRO-JECT W ultimately leaves its audience with a question rather than an answer: how much of what we believe we see is shaped by reality, and how much is shaped by perception?

Through its combination of literature, art, music, psychology and social themes, the Austrian project creates a space where those boundaries can be questioned. Its deliberate ambiguity encourages audiences to look beyond the obvious and consider alternative ways of understanding a story.

For BritishPEDIA, projects such as BRO-JECT W represent the evolving ways contemporary creators use art and storytelling to explore the world around them. Its journey demonstrates that sometimes the most compelling stories are not those that provide every answer, but those that encourage us to keep looking, questioning and thinking.

Further background information and the latest developments regarding the project can be found at www.novumverlag.com.

Friday, August 7, 2026, 11:09 AM

The book centers on the question of how power, the media, the economy, digitalization, and personal perception are interconnected. It not only tells a fictional story but also repeatedly draws on real-world social developments. The author deliberately refers to it as a blend of fact and fiction. Readers are encouraged to constantly ask themselves which elements actually correspond to reality and which have been intentionally crafted for literary effect. It is precisely this open narrative style that makes the work so unusual. Many readers report that, while reading, they find themselves repeatedly wondering whether certain situations are fictional or perhaps inspired by real events. It is precisely this interplay between truth and fiction that is a central element of the book.

The Viennese criminal defense attorney’s professional experience is woven into the book in many places. Court proceedings, hidden messages, and psychological dynamics form an essential part of the plot. At the same time, the author explores personal interests such as music, soccer, and the ultra culture, as well as topics like mindfulness and spirituality. A recurring motif is the so-called “third eye.” The term is deliberately left undefined. Instead, the author leaves it up to the readers to decide what meaning to ascribe to this symbol. It is precisely this openness that is intended to stimulate reflection and allow for different interpretations.

The book also explores the question of how the media, social networks, and digital platforms influence our perceptions. It highlights possible connections between public opinion, economic interests, and societal developments, without providing all the answers. Instead, readers are invited to identify patterns for themselves and draw their own conclusions. This results in a narrative style that deliberately leaves room for interpretation.

Bro-ject W is not just a novel, but an overarching concept. In addition to the book, podcasts have been released that explore individual topics in greater depth. The work is available online and through various booksellers. The story lends itself well to a film adaptation. Whether it’s a story, social commentary, or an experiment—Bro-ject W sparks discussion and encourages reflection.

Further background information and the latest developments regarding the project can be found at  www.novumverlag.com.

A bold career change from traditional Criminal Law to a multimedia and internationally renowned creative project is unusual - yet Philipp Wurm, MBA, took this step. His résumé shows that legal expertise and artistic ambition need not be mutually exclusive. He has already demonstrated his artistic ability in the past with numerous beatbox performances, including collaborations with world-class beatboxers from the USA. Most recently, he also appeared in a supporting role on TV. Instead, it was precisely this combination that became the foundation for an international project that opens up new avenues between the legal profession, art, the world, and teamwork.

The professional career of Philipp Wurm, MBA, began with a traditional legal education: the lawyer completed his year of legal training in Voitsberg and Graz, gained experience in established law firms, and specialized early on in Criminal Defense and White Collar Crime. But behind these traditional stages, there was always a creative streak. From the stage as a beatboxer and lawyer in courtrooms, Wurm - inspired by influential mentors such as former judge Helmut Wlasak - found his way to artistic boundary-pushing. The creation of Bro-ject W was less a planned career move than a logical consequence of curiosity, versatility, and passionate networking.

With Bro-ject W, Philipp Wurm, MBA, created a project that goes far beyond conventional legal practice. The creative fusion of art, beatboxing, hip-hop, and social narratives positions itself as an international network. The court is not only perceived as a stage for clients, but art and reality merge-acting, book authorship, and the so-called “Third Eye” perspective flow into the vision. The book actually came about by chance and a crazy time together, and was created not only by Wurm himself, but by many other people – famous or not, from America or Europe – who brought even more focus to what was already known. The book is partly true and is reflected in certain patterns, so that many people, whether intentionally or unintentionally, can identify with it. Therefore, it can also be considered a masterpiece.

In addition, international trends were created that reached as far as Hollywood – through games that are only recognizable in detail to those quietly involved. This is precisely why it is particularly appealing to those who are truly familiar with all the background information. The goal is to create a film adaptation with international flair and to establish the PW Attorneys brand in popular discourse beyond the legal sphere. Pop culture, from soccer to music, is being used specifically as a multiplier, expanding the project toward Hollywood and politics.

Behind the complexity of Bro-ject W lies a clear mindset: perseverance and team spirit. Wurm speaks openly about the challenges of major negotiations and complex mandates. His approach is to recognize strengths, never give up, and work together as a team to overcome even the biggest hurdles. This attitude carries over into the creative project-many participants are involved in the design process, and the network is growing organically. Classic prejudices against the industry (such as the focus on money or cool detachment) are consciously questioned and replaced with authenticity, honesty, and accessibility. The result is a collective that focuses on socially relevant content without falling into common clichés.

Bro-ject W draws its appeal from the intersection of pop culture and legal credibility. It has also made an international impact, reaching as far as America, and is much more powerful than many people can even imagine. Numerous media outlets, from Radio Grün Weiß to international platforms, have already covered the project. The strategic use of international networks, both in the hip-hop, celebrity, and soccer scenes, gives Bro-ject W additional resonance. Last but not least, Wurm remains visible as a criminal defense attorney-his law firm PW Attorneys continues to stand for expertise in Criminal Law and White Collar Crime, which provides the anchor to reality in the current project. The creative ambition remains clear: the project sees itself as a collective story universe that deliberately plays with perceptions, myths, and social trends.

The long-term focus is clear: the planned film adaptation of Bro-ject W and the planned international expansion show that a modern narrative is emerging here that combines traditional disciplines. In the book, Wurm already hints at which international film studio he would like to see involved in the project-a studio that has a presence in both Vienna and Hollywood. He is also toying with the idea of taking on the lead role himself – no wonder he recently appeared on Austrian TV, including Servus TV. So the journey continues. Whether Hollywood, pop culture, or social discourse – Philipp Wurm knows how to build bridges without committing to specific forms of advertising or revealing too much. Anyone who wants to know what is reality and what remains myth will follow the project – the next level of art, law, and international networking is already in the works.

Details and further insights into Mag. Philipp Wurm, MBA's multimedia project can be found at Bro-ject W.

May 28, 2026, 12:00 PM

CAREER. Philipp Wurm gained nationwide attention as the initiator of Bro-ject W. Graz was not only where his career in criminal law began—it was also where he encountered key influences that would later shape his unique combination of law, creativity, and pop culture.

The professional roots of Mag. Philipp Wurm, MBA, are deeply embedded in Styria’s judicial landscape, long before he gained broader recognition as the initiator of Bro-ject W. Graz was not only the starting point of his career in criminal law, but also the place where he encountered formative influences that would later shape his distinctive fusion of law, creativity, and pop culture.

At the beginning of 2017, Mag. Philipp Wurm, MBA, entered a phase familiar to many legal professionals: his judicial clerkship. He first served at the District Court of Voitsberg, followed by the Regional Criminal Court of Graz, and later the District Court of Graz-West. His time at the Regional Criminal Court, in particular, not only refined his legal expertise but also sharpened his understanding of human destinies and social dynamics.

One especially influential experience was his collaboration with Judge Helmut Wlasak, whose mentorship deepened Wurm’s long-lasting interest in criminal law. These early connections with regional stakeholders helped him build an extensive professional network—an asset he would later strategically draw upon for Bro-ject W.

Even at a young age, Mag. Philipp Wurm, MBA, felt drawn beyond the traditional image of a legal professional. Beatboxing performances, an affinity for acting, and close ties to the local music scene became important elements of his life outside the courtroom.

The multifaceted nature of Graz’s urban culture – situated between criminal defense, pop culture, and football – also shaped his personal development. This creative blend of legal practice, event organization, and artistic networking was far more than a hobby. Rather, it created an environment in which interdisciplinary collaboration and unconventional alliances became part of everyday life, ultimately providing lasting momentum for the Bro-ject W book project.

Although Mag. Philipp Wurm, MBA, eventually moved to Vienna after his time in Graz, the unique combination of courtroom experience and artistic influences rooted in Styria became a major source of inspiration for Bro-ject W.

Rather than being a conventional narrative, the project combines courtroom experiences, pop culture, and social observations into a collective storytelling universe. The deliberate interplay between reality and mythology – such as references to the concept of the Third Eye – creates mysteries and connections that elevate the project beyond a traditional literary work.

At its core, Bro-ject W is built upon the combination of legal expertise and creative innovation, both of which form essential pillars of the concept.

To this day, Mag. Philipp Wurm, MBA, emphasizes the value of the relationships he established in Graz – whether with colleagues, artists, football insiders, or members of the hip-hop community.

These networks help explain why Bro-ject W appeals to such a diverse audience and why elements such as beatboxing, football, and pop culture can be seamlessly integrated into a legal context. Furthermore, Graz-based connections are expected to remain highly relevant for planned film adaptations and future public discussions.

As a result, Bro-ject W represents more than the vision of a single individual; it is a growing network of friendships, collaborations, and ideas.

The project’s origins in Styria were no coincidence, but rather the starting point of a journey that continues to evolve in unexpected ways.

For Mag. Philipp Wurm, MBA, the intersection of criminal defense, cultural scenes, pop culture, and personal responsibility remains both a challenge and a driving force. Looking ahead, the possibility of an international orientation – including film projects and connections to Hollywood – is increasingly part of the conversation, while maintaining strong ties to the Styrian community.

In this sense, Bro-ject W stands as a prime example of experimental approaches that combine law, art, and social networking across borders – from Europe to America.

More information about the project can be found here.